International Conference of Students of Systematic Musicology | International Conference of Students of Systematic Musicology

Brain and Body Percussion: The relationship between motor and cognitive functions

Riikka Ahokas, Birgitta Burger, Marc Thompson

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The perception and recognition of Wagnerian leitmotifs in multimodal conditions

Henning Albrecht, Klaus Frieler

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The psychology of leitmotive processing in Richard Wagner’s music

David John Baker, Daniel Müllensiefen

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The auditory temporal attending theory revisited

Anna-Katharina R. Bauer, Manuela Jaeger, Jeremy D. Thorne, Stefan Debener

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Learning Elementary Musical Programming with Extempore: Translating Arvo PaÌˆrt's Fratres into Live Code Snippets

Fabia F. A. E. Bertram

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Timbre-based rhythm analysis

Michael BlaàŸ

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An acoustic analysis of bam and zil singing by female Azerbaijani mugham singers using the Long Term Average Spectrum (LTAS)

Alexandria Sultan von Bruseldorff, Scott McCoy

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Musical concepts as explanation for children’s musical preference in primary school age

Nicola Bunte

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Rhythmic entrainment, syncopation and pleasantness

Julian CeÌspedes-Guevara, Nicola Dibben, Maria A. G. Witek

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Expert improvisers in Western classical music: Perceptions, learning pathways and creative processes

Jean-Philippe DespreÌs

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Effects of music and alpha-wave frequencies on meditation

Florian Eckl, Richard Parncutt

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Musical communication of flutists in ensemble performance

Thais Fernandes Santos, Aluizio Barbosa De Oliveira Neto, Mauricio Alves Loureiro

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How does cognitive load affect the appearance of involuntary musical imagery (INMI)? Inducing earworms in the lab

Georgia A. Floridou, Victoria J. Williamson, Lauren Stewart

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Systematic musicology meets historical musicology: Quantitative indices of non-linear changes in durational variability of European art music

Niels Chr. Hansen, Makiko Sadakata, Marcus Pearce

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Rhythmical structures in music and body motion in Afro-Brazilian samba and Norwegian telespringar

Mari Romarheim Haugen

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Capturing the speed of music in our heads: Developing methods for measuring the tempo of musical imagery

Kelly Jakubowski, Nicolas Farrugia, Lauren Stewart

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Harmonic factors of melodic stability in oral transmission

Berit Janssen, Peter van Kranenburg, Henkjan Honing

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The Loudness War & Hypercompression: Quantifying the perception of compression effects

Andreas Juwan

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Studying Music Perceived Emotions through Facial Expressions

Diana Kayser

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Emotion recognition of faces and music in asperger syndrome: A crossmodal priming study

Katharina Killy, Manuela M. Marin

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Apprehending works of computer music through a representation of the code

Maxence Larrieu

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To Read or not to Read: How pianists practise to perform with music score and from memory

Lei Na Lu

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Fingerpicking/Fingerstyle: A Musicological Uncovering of a Neglected Guitar Technique

Anita Mellmer

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Exploring positive and negative empathic behavior in beginner violin-group players

Annamaria Minafra

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Tonality and functional equivalence: A multi-level model for the cognition of triadic progressions in 19th century music

Fabian C. Moss

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The Relax in Pregnancy Project

Chineze Nwebube, Lauren Stewart, Vivette Glover

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Leadership in string quartets: paradox and possibility

Nicola Pennill

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Stochastic Modeling of Expressiveness: Representing the Temporal Evolution of the Descriptors Using HMM

Gabriel Pereira Pezzini, Thiago A. M. Campolina, MauriÌcio AÌlves Loureiro

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The relation of Shared Syntactic Integration Resource Hypothesis and Syntactic Equivalence Hypothesis: Some theoretical considerations

Patricia Pohlenz

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Western tonal knowledge in 3- and 4-year-old children: A pilot study

Nina Politimou, Fabia Franco

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Ontological description of vocal production in world's music cultures – a physiological approach

Polina Proutskova, Christophe Rhodes, Tim Crawford, Geraint Wiggins

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The effect of musical training on auditory grouping

Sarah Sauve, Lauren Stewart, Marcus Pearce

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A causal involvement of the left supramarginal gyrus during the retention of musical pitches

Nora K. Schaal, Victoria J. Williamson, Michael Banissy

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A Comprehensive Approach in Music and Audio Analysis: Similarities in Helmut Lachenmann’s Music Compositions

Ivan Eiji Simurra, Tiago Tavares

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The role of attention in the perception of music structure

Jordan B. L. Smith, Elaine Chew, Marcus T. Pearce

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Exploring the club experience: Affective and bodily experiences of electronic dance music

Ragnhild Torvanger Solberg

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Perceived spaciousness in music presented through headphones, loudspeakers and wave field synthesis

Claudia Stirnat

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Decrypt the groove: Audio features of groove and their importance for auditory-motor interactions

Jan Stupacher, Michael J. Hove, Petr Janata

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Cross-cultural emotional experience in response to music

Marco Susino

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Why do people seek and appreciate sadness in music?

Liila Taruffi, Stefan Koelsch

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Motivational qualities of music in exercise

Dietmar Tscherne

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Measuring listeners' emotionally expressive responses to music

Finn Upham

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Functions of sad music in daily life: An explorative study on the influence of exposure, coping strategies and personality

Karim Weth, Richard Parncutt

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Adapting computational music similarity models to geographic user groups

Daniel Wolff, Tillman Weyde

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Engagement and burnout among music performance students

Anna Zabuska, Jane Ginsborg, David Wasley

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